Images by: Ian Rawn
Words by: Bill Clifford
Lockn' Festival - Day One :: 9.05.13 :: Oak Ridge Farm :: Arrington,
Full review below gallery...
Have Dave Frey and Peter Shapiro created the ultimate music festival experience? With the
first foray into the lucrative festival stage, they've found what may be one of the most
wonderful outdoor concert venues in the country, for their Lockn' Music Festival. Oak Ridge Farm is
centrally located in the foothills of the Blue Ridge Mountain range in Virginia.
The drive into the festival location was through long, winding, dipping and ascending
state routes, with a lush green foliage within your view on all sides. The festival set up
two full-size stages right next to each other, with the idea that when one act ends,
another begins. The concert area is a massive field, encompassed by a professional
steeplechase racetrack, with a field that stretches the length of six football fields.
Walking around on Thursday, it was obvious there was ample room for anyone to find their
own private Idaho right here in Virginia. We've been blessed to have gorgeous weather and
splendid blue skies above and it looks as though that will be the forecast for the entire
While this critic wasn't able to set up camp in time to make it down for the first set of
the day, it was certainly fitting that Virginia's own Keller Williams would open
the festival with a bluegrass set. Booked as Keller & The Keels, the performance
featured Larry and Jenny Keel, also Virginia-based artists.
Warren Haynes is often described as the hardest working showman in the music
business today. Fans were able to compare and contrast the work of his solo project, the
Warren Haynes Band, and his full-time occupation as leader of Gov't Mule, as
both played at the festival on its first day. With the solo band, which included renowned
keyboardist Nigel Hall, Haynes showcased his more soulful side on songs such as
"Invisible," which included an instrumental tease of The Edgar Winter Group classic
"Frankenstein" before concluding. Warren dedicated "Hattiesburg Hustle" to anyone from
Mississippi, and the tune gave Hall a chance to lean into his organ.
With Gov't Mule, it was all about southern rock and blues, with a driving, hard edge.
Opener "Where's My Mule" was a hard rocking, blues scorcher that featured Haynes bending
and wailing notes from his guitar with a fiery wail. "Broke Down On The Brazos" was a
pounding rocker that gave drummer Matt Abts the spotlight as he hammered on the skins.
"Captured," a relatively new song, brought the tone down just a bit, while still being
entrenched in the blues, telling the tale of a love sick man captured by a woman's beauty.
And on the bluesy dirge "Banks of The Deep End" Haynes grieved for a lost companion,
former bassist Allen Woody.