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Transition can be a good thing and it can be a painful thing. That's sort of the theme for me I suppose, if there is one. -Page on the new album |
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Photo by Rod Snyder
Back in the Brooklyn Basement
 McConnell 1990 by B.C. Kagan |
As the solo album neared completion, McConnell spent a few days recording in producer Bryce Goggin's studio in Brooklyn. McConnell had worked with Goggin on Phish's 2000 release, Farmhouse. At these sessions he was joined by another special guest, super drummer Jim Keltner, who played on "Back in the Basement" and other tracks. Keltner has played with the likes of (Bob Dylan, The Beatles and The Rolling Stones). McConnell says, "[Jim] had met John Langenstein, who was one of our Phish guys. He was our head of security. I think John was head of security for a Neil Young tour and they got to be friends. I think that had a lot to do with starting the relationship and giving it a shot."
McConnell has nothing but praise for Keltner, saying, "He was the nicest guy! Part of the reason I think he even agreed to [play] was he was scheduled to come out to New York to do a session with T-Bone Burnett. That session got cancelled, or moved back to Los Angeles. It was an immediate connection. When we did 'Back in the Basement,' which I had just written hours beforehand, I knew it was this funky little riff with a jam attached to it. I didn't really know what was going to happen, and we sort of took off and started playing. I was mostly familiar with him as a studio guy, a session guy. I just wasn't aware of his improvisational skills, his inclination to go that way. We were pushing each other and it just kind of went further and further. It was very exciting to think, 'This is happening. This is really happening. Now.'"
Army of One
 McConnell by John Croxton |
McConnell may have surrounded himself with a familiar cast of collaborators but in the end it's his name on the album cover. Through the creative process of making the record, he admits there was no real vision when it started but looking back there appears to be some things that will define him from this point forward. Page McConnell is a caterpillar that's taken his time to emerge from his cocoon but is happy to finally spread his wings.
"It helps me move into the next phase of my life. It helps me gain perspective. If not perspective then some distance between myself and, you know, myself as the keyboardist from Phish. It's an evolving process. It's not something that happened overnight. It's something that's sort of still happening for me and I'm still kind of growing into it."
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